A person holding white cloth with dark fabric inside, next to a bowl with purple ink, on a wooden surface.

Blue Is The Colour Of My Blood explores the legacy of colonial indigo cultivation in Bengal through my family’s fragmented history and post-Partition migration. Combining photography, archival material, and indigo pigment, the project creates a layered memoryscape that narrates histories of displacement, erasure, and incomplete archives.

A watercolor painting of a large, old brick building with multiple floors, arched windows, and a curved staircase at the front, set against a cloudy sky. An inset photo shows the same building surrounded by trees.
A man walking along a rural dirt road carrying a large woven basket on his shoulder and a white bag in his left hand. The landscape features green fields and sparse trees under a gray sky.
A dark, abandoned room with dirty, cracked walls. A noose made of rope hangs from the ceiling, and sunlight streams through a small window, casting shadows on the floor.